Cannot believe I’ve been here for three weeks. THREE WEEKS. On one hand, I feel like I’ve done a ridiculous amount in that time. On the other, however, time is slipping away so quickly, and I feel guilty when I am holed up in my little garret of a bedroom in the 15th (arrondissement). So, to abate these feelings and nurse my self-wounded ego, I shall be productive and sum up these past few days.
Never actually mentioned, in my last post, that we went to Chartres last weekend. Check out the photos on my Flickr account (in the right margin –> ) to see how adorably quaint it really is. All the streets are cobblestone (there are a number in Paris, too, but they’ve discovered asphalt here), and bread from the boulangeries are so much more delicious, and then…I tasted my first vin chaud at a crêperie. And yes, I’m going to be heating and spicing my wine in a kettle when I get back to Boston. Let me explain: when it’s really cold out on a Saturday night, and you can’t decide whether you should have a couple of cocktails to “drink a coat,” so to speak–but be really cold while you’re drinking them–or drink a cup of coffee or hot tea to warm up–but then freeze later as you’re trudging out to your friend’s place in Allston, wishing you were drunk and immune to the cold: THIS DILEMMA NEVER HAPPENS WITH VIN CHAUD. EVER. BECAUSE YOU’RE DRUNK, AND YOU’RE WARM. AND YOU’RE SO, SO HAPPY. Anyway, beautiful cloudy day trip to Chartres, followed by La Mécanique, which I already wrote about in a previous blog.
Went to Le Back-Up again Thursday night. Realizing that was probably a good gateway club, but definitely not making it a staple…international boys are creepy, and I’m starting to be able to translate European things into their American counterparts. Le Back-Up is Joshua Tree for you Bostonites, and Sharkeez for you South Bay dwellers. Only more discothèque-y. And lots of creepy Eastern European men. And skeezy French predator men. Eeeeep. Basically, last week was a fluke. Maybe not going back.
On Friday, we went to the Grand Palais to check out this incredible installation by Christian Boltanski, Monumenta 2010: Personnes. It was absolutely striking, in every sense. See for yourself:
more about “PERSONNES (Christian Boltanski) @ Gra…”, posted with vodpod
Friday night, we had a dinner party at our host family’s apartment! Laurence and Olivier Ferry, our host parents, are beautiful people who went away overnight and invited us to have some friends over for dinner. I really think we lucked out with this family; they’re so helpful, yet totally stay out of our business and are the best conversationalists at our weekly dinner. Vive les Ferrys! Anyway, we had Andrew over, of course, as well as Laura (the girl who lives in our building) with her boyfriend Ben, who was visiting from London. Then, guess who showed up! Gabby, Chelsea, Kelsey, and their friend Sarah! So, so happy to see them. They were on a weekend trip to Paris from London, and it was really great to hear how they’ve managed with no French skills whatsoever…kind of made me feel a little more confident with my own pitiful repertoire. We had smoked salmon (my new favorite), asparagus with mushrooms, and tomato rice. And wine. Lots. Of. Wine. Sadly, though, I think I’m developing a crazy-high tolerance…#bodilydisappointments.
Yesterday, Saturday, we managed to get out of our house (it’s been a challenge–Lauren and I are always running late for stuff) and get to le Centre Pompidou, which was FANTASTIC. There’s an installation at the moment called elles@centrepompidou, which is an enormous exhibit of modern and contemporary pieces by female artists throughout the 20th and 21st century. If I read correctly (I tried so hard to stick to the French and not read the little English translations…), the exhibit intends to reposition and refocus the art world’s perspective of that period of time, because of the largely male-dominated traditional museum world. Needless to say, if you know me, you know I LOVED IT. Feminist art is fantastic–not only for obvious reasons, but also because it was just so much more violent, passionate, unapologetic, than more time-honored exhibits contain. There’s a lot more uncensored sex, too. Like, lots of sex. And nakedness. Yeah. FEMINIST ART.
My favorite thing, though, is being mystified by pieces like this:
- via nicholas_kozma on flickr”], (from nicholas_kozma on flickr)”]

- Eva Hesse’s Sans Titre [Seven Poles
And finally, after three weeks, we made it to Montmartre yesterday. I was so excited...I knew it was going to be touristy--I mean, duh. Even the carousel plays the Amélie theme song. But it was so beautiful watching the sun set over Paris, and pretending I was Audrey Tautou, and wishing I had a Nino Quincampoix with a moto to scoot all over the quarter... Also, listening to this busking band made me really miss performing with my Chordially Yours ladies. I'm thinking seriously about going to the music shop down the street and buying a travel guitar. I miss music, you guys! Here's hoping to magically find a French band to play/sing with...(sigh). I can dream, can't I? Anyway, here's the video; they're called Felix Fables. Clearly I'm also being harassed by one of the many artists who want to draw you and then make you buy it. Note the "What's up, dawg?!" when I said I was American.
more about “Sacré Coeur: Busking Band, Artist Att…”, posted with vodpod
Anyway, once again, this has been my method of procrastination for the childhood memory composition I have to write for my French class. Not to mention starting to research my two oral presentations, both of which are this month…eep! Hope you made it this far in the post…and if you just skipped down…shame on you, shortcutter. There’s nothing interesting down here. Go back up.
Bisous! (I will say “Kisses” but I WILL NEVER SAY TCHAO. I know, I know, French people do it all the time. BUT IT SOUNDS SO PRETENTIOUS WHEN NON-FRENCH PEOPLE DO IT OH MY GOD.)